{"id":24000,"date":"2026-06-23T09:55:38","date_gmt":"2026-06-23T07:55:38","guid":{"rendered":"https:\/\/ddigitals.net\/?p=24000"},"modified":"2026-06-23T09:56:08","modified_gmt":"2026-06-23T07:56:08","slug":"how-to-choose-the-right-typeface","status":"publish","type":"post","link":"https:\/\/ddigitals.net\/en\/blog\/ux-diseno-grafico\/como-elegir-la-tipografia-correcta\/","title":{"rendered":"How to choose the right typeface, and end up using Helvetica\u00a0"},"content":{"rendered":"

There is a situation that often arises during the development of a visual identity. Once the brand\u2019s personality has been defined, the corporate colours selected and the logo designed, the time comes to choose the font. <\/strong>This is when one of the most important decisions of the project comes into play \u2013 and, at the same time, one of the most underestimated.<\/p>\n\n\n\n

The quickest solution is usually to resort to Helvetica, Arial or any other widely used and recognised font.<\/strong> They are functional, versatile and reliable typefaces. However, when the choice is based solely on convenience rather than a brand strategy, the result is often a A correct visual identity, but hardly memorable.<\/strong><\/p>\n\n\n\n

The Typography is much more than just a tool for presenting text<\/strong>. It is a fundamental part of a brand\u2019s visual language. Even before reading a single word, users are already interpreting cues relating to a company\u2019s personality, positioning and values through the shape of the typeface.<\/p>\n\n\n\n

For this reason, the The choice of typeface should not be seen as a purely aesthetic matter. <\/strong>This is a strategic decision that can directly influence how a brand is perceived.
Much more than just a question of design<\/strong><\/p>\n\n\n\n

When we talk about visual identity<\/strong>, the logo usually takes centre stage. However, in the day-to-day running of any business, typography plays a much greater role.<\/p>\n\n\n\n

It appears on websites, social media, sales presentations, advertising campaigns, newsletters and corporate documentation. In many cases, it is the visual element with which users interact the most.<\/strong><\/p>\n\n\n\n

That is why making the right choice can strengthen the brand personality in a consistent and coherent manner<\/strong>. Similarly, an inappropriate typeface can create inconsistencies that are difficult to spot at first glance.<\/p>\n\n\n\n

Define your brand\u2019s personality beforehand<\/h2>\n\n\n\n
\"types-of-typeface<\/figure>\n\n\n\n

One of the most common mistakes is to start looking for fonts too early.<\/p>\n\n\n\n

There are currently thousands of options available on platforms such as Google Fonts, Adobe Fonts or MyFonts. <\/strong>Without a clear direction, it\u2019s easy to spend hours comparing typefaces that, in reality, never really fit the project\u2019s identity. Before exploring typeface catalogues<\/strong><\/a>, it is worth answering a fundamental question: If your brand were a person, what would it be like?<\/strong><\/p>\n\n\n\n

Some attributes that can serve as a starting point include whether the brand is professional, serious, innovative, tech-focused, accessible, elegant, exclusive, creative or daring. It is also useful to position the brand on different scales, such as traditional or innovative.<\/p>\n\n\n\n

This exercise enables you to narrow down your options and make more coherent decisions throughout the design process.<\/p>\n\n\n\n

The The right typography rarely happens by chance<\/strong>. It is usually the result of having correctly defined the brand\u2019s personality.<\/p>\n\n\n\n

Typeface families: what they convey<\/h2>\n\n\n\n
\"typeface<\/figure>\n\n\n\n

Although each font has its own nuances, there are certain associations that recur consistently in users\u2019 perceptions.<\/p>\n\n\n\n

Serif: tradition, authority and trust<\/h3>\n\n\n\n

The serif typefaces <\/strong>feature small decorative touches at the ends of the letters.<\/p>\n\n\n\n

Their long-standing presence in newspapers, publishing houses, academic institutions and prestigious brands means they are often associated with tradition, credibility, elegance, experience and authority.<\/strong><\/p>\n\n\n\n

They are particularly common in sectors such as the financial, legal, publishing or luxury.<\/strong><\/p>\n\n\n\n

Sans Serif: clarity and modernity<\/h3>\n\n\n\n

The sans serif typefaces <\/strong>They do away with those embellishments and opt for cleaner, more direct forms. They convey: modernity, simplicity, innovation, transparency and approachability.<\/strong><\/p>\n\n\n\n

It is no coincidence that they are the most widely used in digital products, tech start-ups and web environments<\/strong>, where readability plays a key role.<\/p>\n\n\n\n

However, it is worth remembering that not all sans serif typefaces convey exactly the same message. Typefaces such as Inter, Montserrat and Space Grotesk belong to the same category, but project very different personalities. For this reason, limiting the choice solely to the typeface family is often insufficient.<\/p>\n\n\n\n

Slab Serif: strength and character<\/h3>\n\n\n\n

The Slab Serif <\/strong>They are an evolution of traditional serif typefaces, although they feature much thicker and bolder serifs. They tend to convey: sturdiness, stability, safety and character.<\/strong><\/p>\n\n\n\n

They work particularly well in industrial, sporting or outdoor sectors.<\/strong><\/p>\n\n\n\n

Printed or handwritten: intimacy and exclusivity<\/h3>\n\n\n\n

Handwritten typefaces imitate handwriting. They are associated with creativity, craftsmanship, personalisation and exclusivity.<\/strong><\/p>\n\n\n\n

They can add a great deal of character to a visual identity, but they should be used sparingly. Their main function is usually found in logos, headlines or specific elements.<\/strong><\/p>\n\n\n\n

Display or decorative: distinction and impact<\/h3>\n\n\n\n

The display typefaces <\/strong>are designed to grab people\u2019s attention. They are often used when the aim is to to stand out and create a highly recognisable visual identity.<\/strong><\/p>\n\n\n\n

They are an excellent tool for headlines or specific campaigns, although they are rarely suitable for large blocks of text due to their limitations in terms of readability.<\/p>\n\n\n\n

Readability should always be a priority<\/h2>\n\n\n\n

One of the most common mistakes is choosing a typeface solely on the basis of its visual appearance. <\/strong>A font may work perfectly well in a logo but prove problematic when used on a website or on a mobile screen.<\/p>\n\n\n\n

Before making a final decision, it is advisable to check how it performs in different contexts: Websites, smartphones, tablets, social media, presentations and printed materials. <\/strong>If reading requires extra effort on the part of the reader, communication becomes less effective.<\/p>\n\n\n\n

The The best typeface isn\u2019t necessarily the most original one<\/strong>. It is the one that strikes a balance between personality and functionality, and is understood by the user.<\/p>\n\n\n\n

Design a typographic system, not a one-off choice<\/h2>\n\n\n\n

Most brands do not need a single typeface, but rather a way of organising information in a consistent manner. It is common practice to work with a a typeface for headlines, one for the main body text and a supplementary one for specific uses.<\/strong><\/p>\n\n\n\n

In many cases, a single typeface family <\/strong>With different weights, it can meet all these requirements. The most common weights found in most typefaces are light, regular, medium, semi-bold, bold and italic.<\/strong><\/p>\n\n\n\n

This strategy enables the creation of clear visual hierarchies and helps to maintain a consistent brand identity across all communication channels.<\/p>\n\n\n\n

The art of combining typefaces<\/h2>\n\n\n\n

When using several fonts, the aim should not be to add variety, but to create contrast and visual organisation. Some combinations tend to work particularly well, such as: Serif + Sans Serif. <\/strong>One of the most commonly used approaches in branding and editorial design.<\/p>\n\n\n\n

It allows you to combine the the character and elegance of a serif font for headings, combined with the clarity of a sans serif font for the body text.<\/strong><\/p>\n\n\n\n

On the other hand, a single typeface family<\/strong> That\u2019s fine too; many contemporary brands choose to work with a single typeface family and build the entire hierarchy using different weights and sizes. It\u2019s a clean, consistent solution that\u2019s particularly effective in digital environments.<\/p>\n\n\n\n

As a general rule, use Using more than two or three typefaces tends to create visual clutter <\/strong>visual and undermines the consistency of the brand identity.<\/p>\n\n\n\n

Technical aspects that should not be overlooked<\/h2>\n\n\n\n

The choice of typeface also has practical implications, such as the licence terms, web performance, and character support and usage.<\/strong><\/p>\n\n\n\n

Licences<\/h3>\n\n\n\n

Not all fonts allow free commercial use<\/strong>. Before implementing any typeface, it is essential to check the licence terms to avoid future legal problems.<\/p>\n\n\n\n

Web performance<\/h3>\n\n\n\n

Every font and every additional weight represents a file that the browser has to load. Too many variants can slow down the page\u2019s loading speed and have a negative impact <\/strong>both user experience and SEO ranking.<\/p>\n\n\n\n

Character compatibility and usage<\/h3>\n\n\n\n

Before approving a typeface, You should check that it includes accents, the letter \u201c\u00f1\u201d, question marks and exclamation marks, and special characters<\/strong> required for all the languages used by the brand. It is a detail that often goes unnoticed until the first implementation issues arise.<\/p>\n\n\n\n

Where to find reliable and professional typefaces<\/h2>\n\n\n\n

A good choice also depends on using sources from reliable platforms with clear licences.<\/strong> Some of the most highly recommended are:<\/p>\n\n\n\n

Google Fonts<\/a><\/h3>\n\n\n\n

The go-to choice for digital projects. It stands out for offering free fonts, open commercial licences<\/strong>, excellent web performance and a wide variety of typeface families.<\/p>\n\n\n\n

Adobe Fonts<\/a><\/h3>\n\n\n\n

Included in subscriptions to Adobe Creative Cloud. <\/strong>It offers a professional suite of tools with high technical quality and seamless integration with the Adobe ecosystem.<\/p>\n\n\n\n

MyFonts<\/a><\/h3>\n\n\n\n

Ideal for projects looking for athe most exclusive and distinctive visual identity.<\/strong><\/p>\n\n\n\n

Fontspring<\/a><\/h3>\n\n\n\n

Highly rated by the the clarity of its licences and its catalogue<\/strong> geared towards professional projects.<\/p>\n\n\n\n

Creative Market<\/a><\/h3>\n\n\n\n

A great way to findr fonts with character, less conventional styles and competitive prices.<\/strong><\/p>\n\n\n\n

So, should you use Helvetica?<\/h2>\n\n\n\n

The answer depends on your brand\u2019s objectives. Helvetica <\/strong>It is an extraordinary typeface. Its balance, neutrality and versatility explain why it remains one of the most widely used typefaces in the world decades after its creation.<\/p>\n\n\n\n

The problem It\u2019s not Helvetica.<\/strong> The problem arises when it becomes an automatic choice.<\/p>\n\n\n\n

If the brand is seeking to convey simplicity, clarity and neutrality,<\/strong> It may well be a perfectly valid decision. However, when the aim is to create a distinctive identity, it is worth exploring alternatives that can lend more character and uniqueness.<\/p>\n\n\n\n

Because the best typeface isn\u2019t the most popular or the most widely used. It\u2019s the one that makes a brand recognisable even before you\u2019ve read a single word.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Existe una situaci\u00f3n que se repite con frecuencia durante el desarrollo de una identidad visual. Despu\u00e9s de definir la personalidad de la marca, seleccionar los colores corporativos y dise\u00f1ar el logotipo, llega el momento de elegir la tipograf\u00eda. Es cuando aparece una de las decisiones m\u00e1s importantes del proyecto y, al mismo tiempo, una de […]<\/p>\n","protected":false},"author":41,"featured_media":24002,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-24000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ux-diseno-grafico"],"yoast_head":"\nC\u00f3mo elegir la tipograf\u00eda para marca correcta | DDigitals<\/title>\n<meta name=\"description\" content=\"Aprende c\u00f3mo elegir la tipograf\u00eda para marca correcta, transmitir personalidad y evitar errores comunes que limitan la diferenciaci\u00f3n visual.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ddigitals.net\/en\/blog\/ux-graphic-design\/how-to-choose-the-right-typeface\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00f3mo elegir la tipograf\u00eda para marca correcta | DDigitals\" \/>\n<meta property=\"og:description\" content=\"Aprende c\u00f3mo elegir la tipograf\u00eda para marca correcta, transmitir personalidad y evitar errores comunes que limitan la diferenciaci\u00f3n visual.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ddigitals.net\/en\/blog\/ux-graphic-design\/how-to-choose-the-right-typeface\/\" \/>\n<meta property=\"og:site_name\" content=\"DDigitals\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ddigitalesnet\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-23T07:55:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-23T07:56:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ddigitals.net\/wp-content\/uploads\/2026\/06\/tipografia-correcta.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"533\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Carolina Fern\u00e1ndez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Carolina Fern\u00e1ndez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ddigitals.net\\\/blog\\\/ux-diseno-grafico\\\/como-elegir-la-tipografia-correcta\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ddigitals.net\\\/blog\\\/ux-diseno-grafico\\\/como-elegir-la-tipografia-correcta\\\/\"},\"author\":{\"name\":\"Carolina Fern\u00e1ndez\",\"@id\":\"https:\\\/\\\/ddigitals.net\\\/#\\\/schema\\\/person\\\/4b45c2fbf13b494cb910d1c72df9a50e\"},\"headline\":\"C\u00f3mo elegir la tipograf\u00eda correcta, acabar usando Helvetica\u00a0\",\"datePublished\":\"2026-06-23T07:55:38+00:00\",\"dateModified\":\"2026-06-23T07:56:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ddigitals.net\\\/blog\\\/ux-diseno-grafico\\\/como-elegir-la-tipografia-correcta\\\/\"},\"wordCount\":1673,\"publisher\":{\"@id\":\"https:\\\/\\\/ddigitals.net\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ddigitals.net\\\/blog\\\/ux-diseno-grafico\\\/como-elegir-la-tipografia-correcta\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ddigitals.net\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/tipografia-correcta.jpg\",\"articleSection\":[\"UX - 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